So far people seem to love it. In other words the 2500 automatically compensates for the amount of compression being applied. Was wondering if you’ve tried the new API 2500 from UAD (I assume you’ve tried the Waves version) — it’s really something. The API 2500 Bus Compressor is a permanent fixture on the stereo bus of many of the world's top engineers and producers. But, I wanted to get one more and I noticed the API 2500. From its beginnings in 1968, the API sound has been a favorite of audio engineers. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. One of the 2500's notable qualities is its use of API's patented THRUST circuit for a chest-hitting, punchy bottom end. Just like modern API compressors, the API 2500 plug-in lets you choose from a smooth and open "feed back" compression type (reminiscent of the great vintage studio boxes that defined the sound of the '60s, '70s, and '80s, or from a more modern and punchy "feed forward" compression type. – Attack: API 2500 stepped selector with values of … Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. I really love the aggressive API style compression it offers and would like to find something similar in colour. API 2500 controls: – Threshold rotary pot: (-20 to +10 dBu) This control also affects the built-in automatic gain make-up feature. So, I've been looking for a compressor because I'm told they all sound different. I also have the bx opto compressor. I am planning on getting the hardware version for mastering in the semi-near future, but for now i'd like to find something that is similar in plug-in form. I have just the stock compressor that comes with Studio One, and some embedded within other plugins. Waves . Their Coral, Lime, and Sand compressors are among the most hardware-like plugins I’ve ever used. The UK was pumping out quality records in the 60s and 70s with some pretty unique sounds. Anyway if you don't want an API 2500 I guess the closest thing would be a Foote P3S. Much of that sound can be traced back to two studios. The API 2500 Stereo Bus Compressor allows adjustment of sonic qualities to alter the punch and tone of the stereo mix. The API 2500 is emulated by Universal Audio and Waves. The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. API-2500 . Manufacturer site . Developed in association with API, the API Collection features four precision-modeled plugins based on renowned API equalizer and compressor modules: the API 550A 3-Band EQ, API 550B 4-Band EQ, API 560 Graphic EQ, and API 2500 Stereo Compressor. Also, there are very interesting things coming out of Acustica Audio (of Nebula fame) lately. The API 2500! I do a lot of mastering with the API 2500, the thing is I get a lot of mixes that are done entirely in the box with cheap plugins, so they sound pretty much lifeless and flat, the API makes them bounce and adds a nice analogue tone. If you’ve worked with many VST compressors, you may have noticed some take unnecessarily long to start and tweak. Well, with DynOne II, the experience is quite the opposite. Using auto-makeup gain, you can adjust Threshold or Ratio while automatically maintaining a constant output level. To overcome the concern, it is designed with fixed bands to allow mixing right in the compressed signal. 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